00:00 No introduction, Dolphy begins with the 1st part of the melody (A), with the drummer playing melodic accents.
00:06 2nd part of (A).
00:12 (B) section contains no written melody; improvisation, rhythm section plays time.
00:18 Last part of (A): Only the bass clarinet and drums play.
00:25 The bass clarinet begins an improvised solo with a long low note followed by a fast bebop melody.
00:35 Dolphy plays over the entire range of the instrument.
00:49 The piano sets up a static harmonic vamp.
01:02 Vamp ends, beginning of the bridge (B) section.
01:13 Bass clarinet plays in its extreme high range; a new chorus begins.
01:21 A flurry of notes that blur together.
01:31 Piano vamps again.
01:39 A rhythmic motive by the bass clarinet in the upper register starts a new chorus; extensions.
02:05 Another flurry, followed by exaggerated inflections blurring the notes.
02:27 Trills on the bass clarinet.
02:32 The bass clarinet plays a simple humorous melody that is picked up by the drummer.
02:44 Explosive attacks on the reed.
03:15 Piano solo employs a similar melodic structure and a similar use of extensions; fast bebop lines.
04:16 Drummer kicks more aggressively.
04:32 Sparse piano fades into an active walking-bass solo accompanied by splashes from the drummer.
04:55 A brief statement from Dolphy begins the drum solo.
05:18 Splashing hi-hat cymbals.
05:40 Bass clarinet enters with fast bebop lines, rhythm section returns to more familiar jazz patterns.
06:24 A repeated melodic-rhythmic motive.
06:32 Return to the melody, this time only the bass clarinet and bass, the (A) section is stated twice.
06:46 Drums and piano enter on the bridge (B).
06:51 Section (A), last 8 measures of the melody: Only the bass clarinet and drums play.
07:00 Everyone improvises an ending.
07:03 End.